Many popular novels about Renaissance women picture them in relation to powerful men. One need look no further than the steady stream of novels about the wives of Henry VIII, perpetuating a phenomenon that I have named the “Noah’s ark approach,” which positions women in dependent relation to famous men. Contemporary readers of historical fiction have missed out on an extraordinary array of women’s voices that were heard in their own period – both acclaimed and reviled – but then silenced over time and excluded from the canon of accepted classics.
My own projected series, Shakespeare’s Sisters, comprises six interrelated historical novels that imagine the stories of early modern women authors from their own perspectives. These novels offer fictional engagements with an array of early modern figures, from queens to commoners. Historical women, including Mary Sidney Herbert, the protagonist of Imperfect Alchemist, are at the center of the narratives, bringing their voices and experiences to life for modern audiences.
Shakespeare’s Sisters centers on women whose lives and voices both shape and are shaped by women, many of whom appear in each other’s stories. Spanning generations and social classes, the series paints a multi-hued portrait of Renaissance England, seen through the lives of courtiers, commoners, poets, playwrights and, above all, indomitable women who broke the rules of their time while juggling many of the responsibilities and obstacles faced by women worldwide today.